watershed photography »

Masthead header

April 2012 Theme: Street Photography

This month’s theme, ‘Street Photography’, is one of the most difficult shooting genres I find to pursue confidently; I am not an in-your-face type of photographer and prefer the styles of Gary Winogrand, Vivian Maier and local photographer Fred Herzog where they documented life without necessarily being obtrusive. I find little satisfaction taking photographs of subjects who are down on their luck, unless it is to tell a story. I think ‘street photography’, at least to me can be characterized more as documenting a point in time (such as Fred Herzog) or as a means to invite the viewer into the image, to spend some time looking around and find their own story/stories within.

‘Not Their Target Customer’
I had spotted this individual at the corner two blocks before this image occurred, and struggled to catch up to him as I saw it emerging;
the raw determination to simply live every day on the streets for some of these people is harder than any job most of us will ever know.

‘Inspired by Herzog’
Fred Herzog is a Vancouver photographer known for his decades of street photography from the 1950′s through the 1970′s. Most of his iconic images of this area focus on the working class people (ie barbershops, Main Street, East Vancouver), but the one that I love the most was taken at the intersection of Granville and Robson ( titled ‘
Granville/Robson’, ca 1959), capturing a moment of life that for me defines Vancouver ~ sadly that intersection is now rather vanilla when compared to his image, he also has one that was taken at this exact same intersection in 1959, 53 years ago (‘Granville/Smythe’http://www.equinoxgallery.com/artists/fred-herzog/art/90230).  

The signs have changed over the years ~ how I would have loved to experience the neon nights that used to be.

‘Bang On!’
Not only the name of the shop on the glass doors to the left, but also how I felt about this subject’s timing and stride in relation
to the horizontal and vertical lines on the wall behind her.


‘Captive Subjects’
I saw this image in my mind, where someone would cause the pigeons to scatter, however I underestimated their tenacity when there was seed on the ground. Another photographer began taking photos of them and I thought it would be interesting to capture her doing that.

Spending time in this image later it dawned on me the parallels between that photographer shooting the pigeons, and myself photographing all of the people on the street/sidewalk ~ in both situations we were photographing our ‘Captive Subjects’. 

share on facebooktweet mepinterest

the 366 project: 3 months in …

The first three months of the year have passed, and so has the first quarter of ‘the 366 project’. This has definitely been challenging, specifically trying to find the time (and light, weather, etc.) to produce an image each and every day. On a positive note, it has also taught me to look around for image-making opportunities as well as develop a speedier post processing routine.

I’ve included some of my favorite images from the past three months below ~ enjoy!

share on facebooktweet mepinterest

Robert Gary Parkes: The Loafing Shed Glass Studio

It is always interesting to watch an artist working with a medium different from photography, to see how they construct and communicate their vision into an appreciable object, and to try to compare their stages of development to those of photography.

A recent camera club outing took us just down the road from my home base to visit Robert Gary Parkes and his Loafing Shed Glass Studio, located on his family farm in Port Kells. Robert, a recognized Master Glass Blower, has been involved in artistic glass for well over 40 years (since he was a “hippy“, in his own words …); he spent 20 years initially working with flat glass (stained glass), then began his glass blower apprenticeship in 1987 at the Robert Held Studio in Vancouver, recognized as one of the most successful glasshouses in Canada. In 2009 Robert became an individual entrepreneur, building his current glass studio and gallery in what had formerly been the farm’s hay storage, and the Loafing Shed Glass Studio was born.

During the time we visited I chose to document the process of the creation of this art rather than the final product itself; Robert’s website has a varied image selection from the many glass items he offers for sale within the gallery. 

Frit, tiny pieces of colored glass are used to add color to the blown glass creations.

Selection of colored glass rods used to color the main body of glass.

Into the “glory hole”, a super-heated (approx 2300 degrees F) furnace used to heat the blow pipes and to reheat glass between work steps.
This is the second of three furnaces used: the first (the “furnace”) contains the crucible of molten glass that the project begins with, while the third (the “annealer”) is used to slowly cool the glass over approximately 14 hours to keep the glass from cracking due to thermal stress.

Robert’s apprentice glass blower at the Loafing Shed, stretching molten glass into a rod; pieces of this may be used as frit in future projects.

Robert Parkes at work creating what would become a substantial sized vase (below). The material he has cupped in his hand for shaping the glass? A wad of wet newspaper, very high-tech!

 Some of the work tools involved in the glass blowing process including a few pairs of shears and a  jack.

On this afternoon, it was a great opportunity to experience Robert’s dedication to sharing his passion as well as his creative process in person.  To see more of this master artisan’s glass works please visit www.robertgaryparkes.ca.

 

share on facebooktweet mepinterest
Marion McCristall - February 20, 2012 - 8:32 pm

Beautiful story and photographs Craig! I really like the way you captured Robert’s intensity as he is truly a master at his craft. The images of the apprentice are great too.